Digital Grainger

An Online Edition of The Sugar-Cane (1764)

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  • Which fell with slight aspersion, now descend
  • In streams continuous on the laughing land.
  • The coyest Naiads1 quit their rocky caves, [355]
  • And, with delight, run brawling to the main;
  • While those, who love still visible to glad
  • The thirsty plains from never-ceasing urns,
  • Assume more awful majesty, and pour,
  • With force resistless, down the channel’d rocks. [360]
  • The rocks, or split, or hurried from their base,
  • With trees, are whirl’d impetuous to the sea:
  • Fluctuates the forest; the torn mountains roar:
  • The main itself recoils for many a league,
  • While its green face is chang’d to sordid brown. [365]
  • A grateful freshness every sense pervades;
  • While beats the heart with unaccustom’d joy:
  • Her stores fugacious2 Memory now recalls;
  • And Fancy prunes her wings for loftiest flights.
  • The mute creation share the enlivening hour; [370]
  • Bounds the brisk kid, and wanton plays the lamb.
  • The drooping plants revive; ten thousand blooms,
  • Which, with their fragrant scents, perfume the air,
  • Burst into being; while the Canes put on
  • Glad Nature’s liveliest robe, the vivid green. [375]
  1. Nymphs of springs, rivers, and lakes in Greek mythology. ↩︎

  2. Fugitive, fleeting, transient. ↩︎