Digital Grainger

An Online Edition of The Sugar-Cane (1764)

160

  • This last brain-racking study had not ply’d:
  • But, sunk in slumbers of immortal bliss,
  • To bards had listned on a fancied Thames!

  • ALL hail, old father Thames! tho’ not from far [635]
  • Thy springing waters roll; nor countless streams,
  • Of name conspicuous, swell thy watery store;1
  • Tho’ thou, no Plata,2 to the sea devolve
  • Vast humid offerings; thou art king of streams:
  • Delighted Commerce broods upon thy wave;3 [640]
  • And every quarter of this sea-girt globe
  • To thee due tribute pays; but chief the world
  • By great Columbus found, where now the muse
  • Beholds, transported, slow vast fleecy clouds,
  • Alps pil’d on Alps romantically high, [645]
  • Which charm the sight with many a pleasing form.
  • The moon, in virgin-glory, gilds the pole,
  • And tips yon tamarinds, tips yon Cane-crown’d vale,
  • With fluent silver; while unnumbered stars
  • Gild the vast concave with their lively beams. [650]
  • The main, a moving burnish’d mirror, shines;
  • No noise is heard, save when the distant surge
  • With drouzy murmurings breaks upon the shore!—

VER. 638. no Plata,] One of the largest rivers of South America.

  1. Compare the last fifty lines of the poem to the end of Alexander Pope’s Windsor Forest (1713), a poem that celebrates Britain’s history and culminates with the triumphal image of the Thames river, symbolizing British commerce, spreading across the world, carrying peace and liberty with it. ↩︎

  2. Rio de la Plata is an estuary formed by the confluence of the Uruguay and the Paraná rivers in South America. ↩︎

  3. If commerce has been the implicit theme of The Sugar-Cane, here Grainger personifies it explicitly as the core of Britain’s power. ↩︎